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Subject:Re: Ming Jade Pi Hsieh
Posted By: Njg Thu, Apr 13, 2006
Hi Frank
A number of these type of sinuous "jade" types were made in the Song, (copying western and Eastern Zhou types)but without the elaboration. I've not seen any others from the Yaun period.
There was in the 18th century a period when a number of this style were made when a Shang tomb came to light and an archaic style became the fashion in Imperial household.
I believe their would have been a companion piece which forms the other half of the eight legged lion, you will also note one of the tails is a split tail, that is the fur bearing fish. The other tail is there representing the makarra crocodile.
The piece has not quite got the essence of the archaic vessels. It's lost the head to tail aspect which was a very important part of archaic vessels.
The asymetrical curls are forming the Aum symbol.
The trio of the fur bearing fish , eight legged lion and makarra crocodile.
The phoenix is present, the type of tail seen on the phoenix is Shang in origin.
How to build a dragon. There should be in the design, creation symbol's of some form.
Note the use of a long que. Long que's were not either in fashion or enforced upon the population during the Ming, but were during the Ching.
Interesting piece. A typical piece that uses previous styles and animal motif's from pre-Buddhist proto Chinese art to form a later Buddhist piece.
I have a Tibetan conch with the exact same mythical animals present.
The Hung Wu is probably a respect mark. Although it cannot be discounted as of the period it is marked.
Does the head of the animal have any stylised horns. This piece of your's is also related to the dragon jade in my collection. Same mythology.
Any sign's of pigment on the piece.
Nick
Nice interesting piece. Thanks for sharing it with us. This piece is the very essence of Chinese imperial sacrificial art.
Looks like a creation symbol being formed on the rear middle underside.
Could you provide a photo of this detail please.
What you are calling a bi hsieh, I believe in their original context of the western zhou were the hu of the object from the Book of Rites which form one of the six articles of auspicious tokens. Circular Bi, ts'ung (Cong), kuei, chang, hu and huang.
The hu was used to worship the West and was emblematic of the tiger constellation ruling over the Yin part of the year as the the Dragon rules over the Yang part of the year and Eastern sky. The hu also had the tao-tie mask engraved upon it.
Because I can't see the full piece i can't work out the full iconograhy as I have to start counting all the different elements.
Have fun
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