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Subject:Oriental school mixed media on silk 19th C signature
Posted By: Mon, May 21, 2012 IP: 2.27.196.140 Can anyone please identify the artist from the signature below the crow's tail. Thanks for your help. |
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Subject:Re: Oriental school mixed media on silk 19th C signature
Posted By: Tue, May 22, 2012 IP: 50.47.129.216 Ohara Koson (also Shoson, Hoson), famous "Kacho-e" (bird and flower picture) artist. |
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Subject:Re: Oriental school mixed media on silk 19th C signature
Posted By: Wed, May 23, 2012 IP: 2.27.196.140 Hi geo, |
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Subject:Re: Oriental school mixed media on silk 19th C signature
Posted By: Thu, May 24, 2012 IP: 50.47.144.93 I see no reason to think it's anything but a woodblock print. I don't collect Koson myself, but I've handled/seen numerous prints by him and I've never encountered one that wasn't a genuine woodblock. I'm not sure that his stuff has been reproduced any other method. |
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Subject:Re: Oriental school mixed media on silk 19th C signature
Posted By: Fri, May 25, 2012 IP: 2.27.196.140 Thanks for your reply and comments. Regret I cannot look at the back of the print as it is very well sealed inside the old frame and don't really want to disturb this. Regarding the term mixed-media it seems to have been applied because there are places which appear to be painted - the flowers in the picture above the woman, the decorative baubles attached to the lamp above the man, the smoke from his mouth, the highlighted items at the woman's side, highlights on the lower child - are definitely applied by brush. There is some script in the bottom rh corner of the picture above the woman. Have tried to photo close up but not too clear. Will add this photo in case it is of interest. Thanks again for your opinion. |
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Subject:Re: Oriental school mixed media on silk 19th C signature
Posted By: Tue, May 29, 2012 IP: 24.147.28.167 From your description and not being able to handle it, it is hard to tell what you have. If it is an original print with added highlights, that might detract from value. If there were some prints "enhanced" at the publisher, then it might be worth more. You have enough information to do the research. This print is later than my area of interest, so I don't know if that is a possibility. |
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Subject:Re: Oriental school mixed media on silk 19th C signature
Posted By: Tue, Aug 14, 2012 IP: 2.24.120.49 Hi, Have added a couple of clearer close-up photos of the Japanese script on the fan in the woman's hand and on the painting above the woman's head. Can anyone read this Japanese script? Is it possible this could be the artist of this work or related to this work? |
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Subject:Re: Oriental school mixed media on silk 19th C signature
Posted By: Tue, May 22, 2012 IP: 2.27.196.140 Just to clarify, the image of the signature is below the images of Japanese mixed media works. Please wind down the page to find the signature in question on the image of the black crow (or raven). If you have any ideas regarding the Japanese mixed media work please reply here also. Thanks. |
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Subject:Re: Oriental school mixed media on silk 19th C signature
Posted By: Tue, May 22, 2012 IP: 24.147.28.167 This is a Japanese woodblock print by: |
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Subject:Re: Oriental school mixed media on silk 19th C signature
Posted By: Wed, May 23, 2012 IP: 2.27.196.140 Hi Stan, Thanks for your reply. Appreciated. I see the same print is shown in the Crows link. I have titled it as "on silk" but I can't be sure as it is well sealed inside the glazed frame. I cannot really see any texture under a magnifier. It looks more like parchment to me as I presume I should be able to see threads if it is silk? The image of the crow is in different thicknesses of black and stands out above the tail feathers. By copy, do you mean it is not an original painting? When I purchased the picture it was described as "mixed media on silk" which I presumed meant it was part print and part hand painted - is that possible or is it a complete woodblock print in different thicknesses of colour? |
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Subject:Re: Oriental school mixed media on silk 19th C signature
Posted By: Thu, May 24, 2012 IP: 50.47.144.93 I meant to mention, the "different thicknesses" you're seeing are probably a printing technique called "kara-zuri" or in western parlance "gauffrage". A method where texture or raised shapes are forced into the paper - without pigment - to give dimension to the image. |
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