Detail: Representing the land we live in is a common practice shared across the world. In Japan, artists created a large body of landscape art ranging from indigenous yamato style to ones that incorporated Chinese and later Euro-American ideas and techniques.

When Chinese ink painting as a new art form was introduced to Japan around 1300, it ushered a fresh way of rendering landscapes for Japanese artists. Chinese paintings became prized collectables for Buddhist temples and the ruling class, and served as indispensable models for Japanese painters who aspired to master painting with ink and brush. Over the centuries that followed, Japanese artists developed their visions of ink landscapes, either as idealized, imaginary sceneries or as renditions of a true view. The encounters with Euro-American art since 1550s offered yet another inspiration for expanding the horizons.

Drawing from the museum’s collection including some recent gifts, the works featured in these galleries span more than five hundred years from 1500 to the present and vary in mediums from painting to ceramics. They showcase the evolution and expansion of artistic expressions of the land in Japan, and offer glimpses into the shifting cultural and social landscapes as well.