Asianart.com | Associations | Articles | Exhibitions | Galleries | Message Board | Calendar


Asian Art Calendar of Events

Wednesday, April 15, 2026
 New Posting    Old Posting   Review Review

Top | Exhibition Public | Fairs | Exhibition Private | Conference/Symposium | Auctions | Lecture
Exhibition Private
USA & Canada Europe & Africa | Asia

New Kawai Kanjirō: House to House
Place: Japan Society - New York, 333 East 47th Street, USA
Date: Mar 10, 2026 to May 10, 2026
Detail: In spring 2026, Japan Society Gallery will present Kawai Kanjirō: House to House, an exhibition celebrating the remarkable life and artistic career of folk potter and avant-garde artist Kawai Kanjirō (1890–1966) for the first time in the United States. Along with his friends philosopher Yanagi Sōetsu (1889–1961) and potter Hamada Shōji (1894–1978), Kawai founded the mingei folk art movement in Japan during the mid-1920s. Featuring works from the Kawai Kanjirō Memorial Museum (and former home of Kawai) in conversation with works of folk art from Japan Society’s collection, the exhibition traces the evolution of the artist’s functional clay ware to his modernist wood sculptures. From Kawai Kanjirō’s house in Kyoto to Japan House in NYC, the exhibition explores Kawai’s profound impact on postwar art in Japan.

Click here for further information on this posting

New Fu Xiaotong: NUN-7 and Wang Tiande: Beyond Reach
Place: Alisan Fine Arts - New York, 120 East 65th Street, USA
Date: Mar 12, 2026 to Apr 18, 2026
Detail: March 12 – April 18, 2026
Opening Reception: Thursday, Mar 12, 6-8pm
In Conversation: Wang Tiande and Einor Cervone, On Materiality, Mar 21, 2-4pm
Special AWNY Hours: March 19-22 & 24-27, 10am-5pm

For Asia Week New York, Alisan Fine Arts is pleased to present two solo presentations by artists Fu Xiaotong and Wang Tiande. Both artists are inspired by the Chinese landscape painting tradition, taking nature as their primary theme. Moreover, both are pioneers in material manipulation, pushing the boundaries of traditional Chinese ink and Xuan paper in contemporary art practice.

Click here for further information on this posting

New Suki Seokyeong Kang: Our Spring
Place: Tina Kim Gallery - New York, 525 West 21st Street, USA
Date: Mar 12, 2026 to Apr 25, 2026
Detail: March 12 – April 25, 2026
Opening Reception & Poetry Reading: Thursday, March 12, 6-8pm

We are honored to present a solo exhibition of the late Korean artist Suki Seokyeong Kang (1977–2025), Our Spring, on view from March 12 through April 25, 2026. Coinciding with the one-year anniversary of the artist’s untimely passing, this exhibition stands as both a memorial and a celebration of her singular artistic vision. The presentation brings together significant sculptural and two-dimensional works from the last decade of the artist’s life and will mark the New York debut of pieces from some of Kang’s most influential series. The exhibition follows Kang’s critically acclaimed surveys at the Leeum Museum of Art (2023) and the Museum of Contemporary Art Denver (2025), highlighting the enduring and global resonance of her practice.


Click here for further information on this posting

New Banquet of Life: Nihonga Paintings by Daisuke Nakano
Place: Ippodo Gallery - New York, 35 N Moore Street, USA
Date: Mar 19, 2026 to Apr 18, 2026
Detail: March 19 – April 18, 2026
Opening Reception: Thursday, March 19, 6–8pm
Artist Talk: Saturday, March 21, 1-2p

We are pleased to announce Banquet of Life: Nihonga Paintings by Daisuke Nakano, the Japanese painter’s long-awaited third New York solo exhibition, coinciding with Asia Week New York 2026. Eleven new works, on view from March 19 to April 18, 2026, mark the pivotal transition of seasons. Daisuke Nakano celebrates the natural world through glorious depictions of flora and fauna: blanketed in shimmering snow, at the turning point of the springtime thaw, and in full blooming colors.

Native to Kyoto and a master of Nihonga painting traditions, Daisuke Nakano (b. 1974) draws upon historical Japanese image-making to paint bright scenes of nature in a state of undisturbed purity. Each pigment is ground from rare and precious minerals mixed with nikawa, deer-collagen glue, and placed upon a background of gold and silver leaf on washi paper in keeping with the methods developed in Japan for centuries. Nakano’s influences draw primarily from paradigms codified during the height of Edo (1615–1868) aesthetics, which often centered imagined landscapes and the life teeming therein.

Nakano stands out as a luminary force among those few remaining Nihonga traditionalists today, evoking classical ideas and pushing them to their limits of color, composition, and craftsmanship. His scenes are overflowing with flourishes of complementary colors and dynamic interplay of lively bodies of birds, insects and flowers. Though filled to the point of bursting, Nakano’s canvases strike a balance even as forms and colors overlap with spirited energy. Each line—the primary pictorial tool of Nihonga painters—captures personality and movement with animated grace.

Click here for further information on this posting

New Six Celestials
Place: Joan B Mirviss LTD - New York, 39 East 78th Street, USA
Date: Mar 19, 2026 to Apr 24, 2026
Detail: ISHIGURO, KAMODA, KAWAI, OKABE, TANAKA S & TOMIMOTO
March 19 – April 24, 2026
Special additional hours: Thursday, Mar 19, 11am-8pm, Saturday, Mar 21, 11am-6pm & Sunday, Mar 22, 12-5pm

For Asia Week New York this coming March, we are thrilled to present Six Celestials, an exhibition featuring masterpieces by six artists whose seminal careers established the foundations of contemporary Japanese clay art. By placing their diverse bodies of work in conversation, the exhibition highlights the ways in which each of these twentieth-century icons helped pave the way for the emergence of Japanese ceramics as it exists today—one of the most dynamic and exciting fields of contemporary art.

Born as the nineteenth century drew to a close, three of the artists in this exhibition played critical roles ushering Japanese clay into the twentieth century. As the founder of the ceramics department at Kyoto City University of Arts and longtime professor, Tomimoto Kenkichi (1886-1963) was a fierce advocate of individuality, a trait that is captured in his own elegantly formed and decorated porcelain vessels as well as in the diverse body of work that has been produced by his many students. The work of Ishiguro Munemaro (1893-1968) is bold and undeniably modern even as it was rooted in the ancient Chinese techniques that he dedicated his life to researching. In contrast with these contemporaries of his, both of whom were designated with the prestigious title of Living National Treasure for their work, Kawai Kanjirō (1890-1966) held true to the spirit of the Mingei (folk art) Movement he helped pioneer by eschewing official honors or recognition for his undisputed mastery of historical glazes.

As representatives of the next generation, the remaining three artists of this exhibition developed their ceramic legacies in the second half of the twentieth century. Though he studied the historical glazes of Shino, Oribe, and celadon, Okabe Mineo (1919-1990) breathed new life into these traditions with his innovative and entirely unique forms. With his ever-evolving palette of glazes, patterns, and forms, Kamoda Shōji (1933-1983) created some of the most evocative and sought-after works of the twentieth century. Finally, Tanaka Sajirō (b. 1937) continues to hone his skills in the art of wood-firing with natural glazes to create vibrant and contemporary works inspired by the historical tradition of Karatsu wares.

This exhibition features more than forty masterpieces equally distributed between these six artists, many of which have been exhibited and published in Japan. Works by these luminaries can be found in the collections of prominent museums worldwide, including the Metropolitan Museum of Art, NY; Art Institute of Chicago, IL; National Museum of Asian Art, Washington, D.C.; National Museums of Modern Art, Kyoto and Tokyo; Museum of Fine Arts, Boston; Musée Tomo, Tokyo; Victoria & Albert Museum, London; and Minneapolis Institute of Art, MN.

Click here for further information on this posting

New Shanghai: A Century of Photography, 1850-1950
Place: Loewentheil Photography of China Collection - New York, 10 West 18th Street, USA
Date: Mar 19, 2026 to May 19, 2026
Detail: March 19 – May 19, 2026
Opening Reception: Wednesday, March 18, 6-8pm
Exhibiting at: 10 West 18th Street, 7th Floor
Asia Week Hours: Tuesday to Thursday, 10am-5pm

We are excited to present Shanghai: A Century of Photography, 1850-1950 during this season’s Asia Week New York. This exhibition traces one hundred years of photographic art in Shanghai, from the city’s earliest paper photographs of the 1850s to its vernacular photography of the 1950s. Shanghai was one of the earliest locations for the emergence of photography in China. The city attracted foreign and pioneering Chinese photographers who captured the unique imagery of the cosmopolitan treaty-port era.

This exhibition presents some of the earliest photographic records of Shanghai, produced when the art of photography was developing in China. Early albumen views of the Bund, waterways, gardens, and commercial districts show how photographers responded to a rapidly transforming urban landscape, experimenting with scale, clarity, and vantage point. Shanghai remained the central locus of photographic art, modernist experimentation, and art publishing and distribution in China from the advent of photography into the 1950s. The city was a hub not only for images of Shanghai, but for photographs printed and circulated throughout the China and the world.

The exhibition brings together rare nineteenth-century views, portraits, and landscapes. Its range of twentieth-century vernacular works charts the evolution of photographic vision in Shanghai, combining art, commerce, and modernity. A rare and important group of gelatin silver prints from the 1933 Liangyou National Photography Tour documents an early effort to advance photography as a modern artistic medium in China.

Click here for further information on this posting

Top | Exhibition Public | Fairs | Exhibition Private | Conference/Symposium | Auctions | Lecture

 New Posting    Old Posting   Review Review

Asianart.com | Associations | Articles | Exhibitions | Galleries | Message Board | Calendar