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Archeological Team of the Museum of the City of Chengdu. The Tomb of Sun Hanshao of Late Shu, Five Dynasties, Wenwu, 1991(5), 11-26.

Auboyer, Jeannine. Le Trône et son symbolisme dans l’Inde ancienne, Presses Universitaires de France, Paris, 1949

Backus, Charles. The Nan-chao Kingdom and Tang China’s South-western Frontier, Cambridge University Press, Cambridge, 1981

Bangdel, Lain. Stolen Images of Nepal, Royal Nepal Academy, Kathmandu, 1989.

Blondeau, Anne-Marie and Gyatso, Yonten. “Lhasa, L’gende et Histoire” in F. Pommaret (réd), Lhasa, Lieu du Divin, Olizane, Genève, 1997, 35-58.

Broughton, John. “Early Ch’an Schools in Tibet” in R. Gimello and P. Gregory, Studies in Ch’an and Hua-yen, University of Hawaii Press, Honolulu, 1983, 1-68.

Caffarrelli, Paola and Beguin, Gilles. Demeures des hommes, Sanctuaires des dieux, Universita de Roma, 1987.

Chab Spel. “Lha sa gtsug lag khang gi lo rgyus rags bshad” (History of the Lhasa gtsug lag khang), Bod ljongs zhib ’jug, 1982,10-44.

Cleary, Th. Entry into the Realm of Reality. The Guide. A Commentary on the Gandavyuha, the Final Book of the Avatamsaka Sutra, Wisdom Publications, Boston, 1989.

Demievillle, Paul. Le Concile de Lhasa, Paris, 1952.

Fontein, Jan. The Pilgrimage of Sudhana, A Study of Gandavyuha Illustration in China, Japan and Java, Mouton, The Hague, 1967.

Frederic, Louis and NAU, Jean-Louis. Borobudur, Paris, 1994.

Gail, Adalbert. “Ramayana relief am Kaisha in Ellora,” Berliner Indologische Studien, 1985 (1), 177-185.

Heller, Amy. “Early ninth century images of Vairocana from Eastern Tibet”, Orientations 25/6, 1994, 74-79.

——— . “Early temples and rock carvings of Eastern Tibet” in J. C. Singer and Ph. Denwood, eds, Tibetan Art Towards a Definition of Style, Laurance King, London, 1997, 86-103.

——— . “Ninth century Buddhist images carved at lDan ma brag to commemorate Tibeto-Chinese negotiations”, Per Kværne, ed. Tibetan Studies, The Institute for Comparative Research in Human Culture, Oslo, 1994, 335-349, and Appendix 12-19.

Huntington, S. and Huntington, J. Leaves of the Bodhi Tree, The Dayton Art Institute, Dayton, 1990.

Imaeda, Yoshiro. Histoire du Cycle de la Naissance et de la Mort, Droz, Genève, 1981.

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Lutz, Albert. Der Tempel der Drei Pagoden von Dali, Rietberg Museum, Zürich, 1991.

Mi Nyag Choekyi Gyaltsen, “Srong btsan sgam po’i dus kyi pho brang po ta la’i bzo dbyibs dang chags tsuhl skor rob tsam dpyad pa” (An Elementary Analysis on Potala Palace’s Shape and Layout During the Time of King Srong btsan sgam po), paper presented at the 1998 IATS Seminar Bloomington, Indiana, pp.1-9.

Pal, Pratapaditya. Arts of Nepal, Part One Sculpture, E.J. Brill, Leiden, 1974.

Richardson, Hugh. A Corpus of Tibetan Inscriptions, Royal Asiatic Society, 1985.

——— . “Mun Sheng Kong Co and Kim Sheng Kong Co, Two Chinese Princesses in Tibet”, Tibet Journal 22/1:3-11, 1997.

——— . “The Cult of Vairocana in Tibet” in Tadeuz Skorupski, ed. Indo-Tibetan Studies, Institute of Buddhist Studies, Tring, 1990, 271-274.

——— . “The Jo-khang ‘Cathedral of Lhasa’” in A. Macdonald and Y. Imaeda, eds., Essais sur l’Art du Tibet, Maisonneuve, Paris, 1977, 157-188.

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Whitfield, Roderick and Otsuka, Seigo. Caves of the Singing Sands, Textile and Art Publications, London and Tokyo, 1996.

Wu Hung. “What is Bianxiang—on the relationship between Dunhuang Art and Dunhuang Literature” in Harvard Journal of Asian Studies 52, 1992, 111-192.

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