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Asian Art Calendar of Events

Tuesday, February 24, 2026
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Fairs
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New Asia Week New York
Place: Throughout metropolitan New York - New York, USA
Date: Mar 19, 2026 to Mar 27, 2026
Detail: Asia Week New York has grown from an annual nine-day celebration of Asian art across metropolitan New York into a dynamic year-round platform. Showcasing continuous exhibitions, auctions and special events presented by leading international Asian art specialists, major auction houses, and world-renowned museums and cultural institutions, it keeps Asian art at the forefront for a global audience.

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Exhibition Private
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New Mother
Place: Seizan Gallery - New York, 525 West 26th Street, USA
Date: Feb 12, 2026 to Mar 14, 2026
Detail: SEIZAN Gallery is pleased to present MOTHER, a group exhibition featuring works by Marina Berio, Yukiko Hata, Eri Iwasaki, Miné Okubo, and Asako Tabata. On view from February 12 through March 14, the exhibition brings together major work by artists who have been pursuing the enduring subject of motherhood—both directly and indirectly—through their distinct perspectives and medium of choice. Together, their works offer nuanced and refreshing interpretations of this historically resonant theme.

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New Genealogies of Time: Korean Modern and Contemporary Art
Place: Space 776 - New York, 37-39 Clinton Street, USA
Date: Mar 06, 2026 to Mar 31, 2026
Detail: On Asia Week New York 2026, we are pleased to present Genealogies of Time: Korean Modern and Contemporary Art, an exhibition that examines the present condition of South Korean contemporary art through the coexistence of multiple temporal layers. Rather than following a chronological narrative, the exhibition brings together works from different generations to reveal how artistic questions persist, shift, and reemerge over time.

The exhibition foregrounds the practices of Jeoung Keun Chan (b. 1965, South Korea), Hyeongsoo Kim (b. 1961, South Korea), and Hak Il Kim (b. 1965, South Korea). Working across distinct formal and conceptual approaches, these artists articulate current positions within South Korean contemporary art, engaging with enduring concerns related to form, materiality, perception, and structure. Their works reflect how inherited artistic sensibilities are tested and reconfigured under present-day conditions.

Alongside these contemporary practices, works by Kim Guiline (1936–2021, South Korea) are presented to expand the exhibition’s temporal scope. Shown in proximity to contemporary works, his paintings allow different moments in South Korean art history to be viewed together, emphasizing continuity and transformation rather than linear progression.

Genealogies of Time presents South Korean modern and contemporary art as an evolving field shaped by accumulated experience, reinterpretation, and ongoing inquiry. Through the juxtaposition of works across generations, the exhibition offers a focused view of how contemporary practice appears from layered historical conditions while remaining firmly grounded in the present.

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New The Breath of Time, The Song of Dust
Place: Space 776 - New York, 37-39 Clinton Street, USA
Date: Mar 06, 2026 to Mar 31, 2026
Detail: We’re thrilled to announce The Breath of Time, The Song of Dust, our Asia Week New York exhibition featuring the works of Song E Yoon and Freeman, on view from March 6 to March 31. The exhibition brings together two distinct temporal voices — one from the late Joseon period and another from the present — to explore the subtle continuity between disappearance and presence, memory and light, silence, and resonance.

As its title suggests, The Breath of Time, The Song of Dust unfolds where the remnants of the past meet the pulse of the living moment. Song E Yoon’s practice visualizes the invisible structure of time — the breath, vibration, and energy that weave through existence. Her works capture what lingers after form dissolves: the trace of an event, the rhythm of what remains. Through light, transparency, and vibration, Song translates the intangible into sensory form, transforming stillness into movement and silence into a living pulse. Time in her world does not progress in a straight line but circulates, folding back into itself, allowing the breath of the past to reawaken in the present. Freeman’s works, drawn from the late Joseon era, embody a philosophy of emptiness and vitality — the rhythm of stillness, the harmony between humanity and nature. Even across centuries, they keep a quiet warmth, as if time itself continues to breathe through them. When placed in conversation with Song’s luminous structures, a new resonance appears: Freeman’s ink becomes light, and Song’s light takes on the depth of ink. The two artists, separated by time yet connected by intuition, mirror each other within a shared field of silence. Rather than contrasting past and present, The Breath of Time, The Song of Dust reveals the invisible current that connects them. The works intertwine like reflections in a single mirror, and time itself becomes circular — never lost, only transformed. The spirit of Joseon flows again through light, while light, like dust, drifts back into the shadow of history. In this exchange, art becomes a living continuum, breathing between what has vanished and what endures.

The exhibition is a meditation on faith in time.

Time does not vanish; it changes form — into light, into dust, into memory. Through the works of Song E Yoon and Freeman, the unseen becomes perceptible, the forgotten becomes audible. And in that shared rhythm, what has disappeared and what stays come together to sing — the song of time itself, the quiet breath of dust.

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New Kawai Kanjirō: House to House
Place: Japan Society - New York, 333 East 47th Street, USA
Date: Mar 10, 2026 to May 10, 2026
Detail: In spring 2026, Japan Society Gallery will present Kawai Kanjirō: House to House, an exhibition celebrating the remarkable life and artistic career of folk potter and avant-garde artist Kawai Kanjirō (1890–1966) for the first time in the United States. Along with his friends philosopher Yanagi Sōetsu (1889–1961) and potter Hamada Shōji (1894–1978), Kawai founded the mingei folk art movement in Japan during the mid-1920s. Featuring works from the Kawai Kanjirō Memorial Museum (and former home of Kawai) in conversation with works of folk art from Japan Society’s collection, the exhibition traces the evolution of the artist’s functional clay ware to his modernist wood sculptures. From Kawai Kanjirō’s house in Kyoto to Japan House in NYC, the exhibition explores Kawai’s profound impact on postwar art in Japan.

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New Classical Indian Paintings and Courtly Objects
Place: Art Passages - New York, 115 East 72nd Street, #1B, USA
Date: Mar 19, 2026 to Mar 25, 2026
Detail: March 19–25, 2026
Exhibiting at: 115 East 72nd Street, #1B
Opening Reception: Thursday March 19, 5-8pm
Asia Week Hours: March 19–25, 10am-6pm

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New Objects of Veneration: Buddhist Art from India and the Himalayas
Place: Carlton Rochell Asian Art @ Adam Williams Fine Art - New York, 24 East 80th Street, USA
Date: Mar 19, 2026 to Mar 27, 2026
Detail: Exhibiting at: Adam Williams Fine Art, 24 East 80th Street
Asia Week Hours: March 19-20 & 23-27, 10am-6pm; March 21-22, 11am-5pm (otherwise by appointment)

We are delighted to be participating Asia Week New York again this year, presenting an exhibition showcasing centuries of Himalayan and Indian artistic achievement.

Highlights of our exhibition include:

A finely-carved relief panel depicting Maitreya in Tushita Heaven, circa 3rd century, which exemplifies the sophisticated synthesis of Indic religious iconography with Hellenistic sculptural naturalism that defines Gandharan art.

A luminous gilt-copper alloy sculpture of the goddess Vasudhara, 12th/13th century, from the Zimmerman Collection and published in Dr. Pratapaditya Pal’s 1991 exhibition catalog, Art of the Himalayas: Treasures from Nepal and Tibet. Her sensuous modeling, delicate surface chasing, and refined gilding exemplify the extraordinary achievements of Newar metalworkers.

A painting of Six-Armed Mahakala and his Attendants, from Central Tibet, late seventeenth century, formerly in the collections of Giuseppe Tucci, Alice and Nasli Heeramaneck, and Christian Humann (the Pan-Asian Collection), which has been described by scholars as: “a masterpiece of the mystical black tangkas.”

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New Luminaries, Myth and Fantasy in Indian and Persian Painting
Place: Oliver Forge and Brendan Lynch Ltd. - New York, 67 East 80 Street, USA
Date: Mar 19, 2026 to Mar 27, 2026

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New Ceramic Modernisms
Place: Dai Ichi Arts, Ltd. - New York, 18 East 64th Street, USA
Date: Mar 19, 2026 to Mar 27, 2026

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Auctions
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New Fine Japanese & Korean Art
Place: Bonhams - New York, 111 W 57th Street, USA
Date: Mar 25, 2026

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Lecture
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New Looking East from Fifth Avenue: Chinese Porcelain at The Frick Collection
Place: The Frick Collection - New York, 1 East 70th Street, USA
Date: Mar 20, 2026
Detail: Friday, March 20, 2026 at 6pm
Stephen A. Schwarzman Auditorium
Free of Admission

Join Yifu Liu, Anne L. Poulet Curatorial Fellow, for an illuminating lecture exploring the evolution of Chinese porcelain at The Frick Collection—from Henry Clay Frick’s earliest acquisitions to the museum’s most recent additions. It examines the cultural significance of these objects in the early twentieth century and re-evaluates their relevance today within an American art institution traditionally celebrated for its European works of art.

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